Alfie Elkins Returns!

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Back from what was recently a tropical paradise and now is being scouted as a possible location for the shooting of “World War Three”, Alfie Elkins shares with StarkLight Press a little about his story, based on his time in Venezuela, his past and his difficulties in getting binders.

1. Tell us a little bit about yourself and what you’ve been up to in the past few years.

I started out as a bank clerk in London, then took a teaching degree and taught in public school for a number of years. I then went (perhaps stupidly) to a first aid course so I could help out on excursion trips, and got hooked on medicine. I then became a paramedical specialist with the NHS, and a few years ago, I moved to Venezuela to help them to revamp their emergent care services.

I’ve spent the past two years in Venezuela helping overhaul a public health paramedic corps that is now in shambles due to the current unrest. So, time well spent. Hopefully some of the procedural changes and policies we’ve developed are still preserved and the improved work culture will restore itself once the turmoil is through. Then it would be a good use of time.

Currently, I’m in Manitoba, resting with some mates of mine and keeping one eye on the river levels, because flooding is the last thing I need to round out this long, strange trip of mine!

2. Explain for our audience a little bit about the inspiration for your tale, and the themes that inform it.

Venezuela was a trippy time, and a peculiar place to me. I had no idea how riddled with folk voodoo, magic and superstitiousness it would be- so much so, that it bumped up against my work life as a paramedic. People would shake sticks with little things on them at me. They would prevent me from saving someone until an offering had been completely burned. They would leave little gifts outside the paramedic building (cigarettes, whisky, weed, other things, food (areppas, hallaca, mondongo bowls etc) out for us. There were hundreds, perhaps thousands of little favelaways and dark nooks and corners in Caracas alone, let alone in the other areas of the cities in Venezuela.

I had been helping Tony and Virginia write on the Tales from Space Continuing Stories (I love that series! and working on it is a true pleasure) when I had a truly bizarre encounter with another Brit. It was eerily similar to the sort of thing that we have been injecting into the ultimately doomed GAGA universe, (I don’t want to give too much away here, but let it be known that ‘this sort of thing’ we are writing on gives the GAGA new hope, and not in a Star Trek IV kind of way, but a holy sh*t, this opens up everything! kind of way). I started writing a journal entry about it (as I had been continuing to keep a kind of regular accounting of the time I’d been having, and it turned into my story, Nueve Dedos, Pellirojo.

The whole time was very surreal when the encounter happened, and the writing time after- one of those weird times when you think, is this the Neverending Story? Am I  writing reality? Don’t know, but I’m very grateful to StarkLight Press for keeping so much of the espanol intact, as it cannot be truly separated from the story.

3. What’s your preferred method for writing: computer/smartphone, typewriter, hand, voice transcription? Tell us the most unusual place you ever wrote down a tale- in the elevator at work, on horseback, in a crowded subway?

The past few years, whatever is handy. Since I joined the NHS, I’ve been writing story ideas and things on abdominal pad wrappers, tissue boxes or what-have-you. In Venezuela, I had a notebook, and was able to use the smartphone, but with increasing irregularity in my cloud access, I moved more to hand writing and note-taking again. Which was refreshing. I can thoroughly recommend it- I miss handwriting!

4. Where do you like to go best to recharge your creative batteries?

Somewhere quiet, and ideally a little out-of-the-way. Which is how I met el estrano in my story. Ideally, I’m a night hawk, so I like it after dark, places that were bustling, now quiet. Soaking up the residual hustly bustly in the nighttime seems to help inspire and organize my thoughts. Or give me some!

5. What, in your opinion is author kryptonite? (antithetical to the creative writing process)

Overthinking, and overcomparison. Definitely. Also, I bloody hate autocorrect and that new Google finish function. It’s great for driving the flow right off!

6. What are your three favorite mainstream books, and what are your three favorite indie/independently published works?

I like Robert Ludlum, and Agatha Christie, and Kyril Bonfiglioli. Any of them (I know I had to pick books, but I’m going to be broadly incorrect!) I have to say that indie works are great, and I love to peruse them whenever possible, but the Tales from Space universe is just phenomenally detailed and well-plotted, with characters and scope that stick in your head, no matter how preoccupying your day has been, which keeps me coming back to the series and also pestering the core group of authors for more.

7. What is the last movie you saw? Give our authors a brief review.

Speaking of Bonfiglioli, I finally got to watch Mortdecai, which was, wow, not one of Depp’s better performances. I think it was cinematographically a good representation of the books, with the exception of the over-CGI’d location cards (but hey, Johnny Depp had to earn his money by badly Britishly narrating something, right? It was a book, after all).

I thought that Ewan McGregor just nailed Inspector Martland, however, and the scenes involving the Inspector were just delightfully paced and worked! It was like watching a fan edit of the movie of Bonfiglioli’s work, with the real movie being about the case, and then all these strange fan-acted scenes injected in between of someone in a bathrobe mincing about, pretending to be Charlie Mortdecai.

I would watch a series based on Martland and the international MI-6 angle, by the way, Netflix.

8. What are your next big projects, so that our audience can keep an eye out for them.

I’m working on a memoir of my time in Central America, which blends what I’ve researched and seen first hand of the local culture with my own time there. Untitled yet, but I hope it’ll be ready for full-color publication in 2020.

Also, a few short stories for the next Tales from Space anthology, as well as some independent stories from other worlds in which I’ve written a few times before.

Most excitingly, I think, I’m partaking in The Irregulars, Part 2, which is set to be a really rollicking ride through the world of international espionage, psychic operations of governments and- believe it or not- cybersecurity, biometrics and Celtic culture! Can’t say much on that, but I’m writing with Van Fleming, Will Norton (an old mate of mine), Leanne Caine, Krista Michelle, Tony Stark and Virginia Carraway Stark as well! It’s going to be a real spot of fun, that one!

 

Thanks for taking the time to respond to our questions, Alfie! You can find his story, “Nueuve Dedos, Pellirojo”, in StarkLight Volume 5.

Alfie Elkins on Flotsam

For the first of our Wild, Wicked and Sparkling author interviews, we speak with Alfie Elkins from off the coast of Venezuela, where he talks about what inspired him to write his haunting love story, Flotsam.

1. Tell us a bit about your inspiration for your tale.

I’ve been living by the ocean for the first time since I was a boy, not in British Columbia but down in Venezuela. It brings up a lot of poignant thoughts about the past, about roads I didn’t take, paths I wasn’t able to tread. Also, moving across the ocean was a complete shake-up. I’ve never been out of Europe for living before, and the strange, disjointed, ethereal feeling I have for not having English soil under my feet- no matter how irritated I am at it presently- needed an outlet.

Walking by the ocean seems to be a real grounding point. It is all one sea, after all. I’m amazed by the sheer quantity of detritus that washes ashore. I’ve also been thinking a lot about relationships, and how they end, and how it connects up with both seasons and spirituality. Then I was reading a story from Tony featuring one of his characters, and I thought- this guy could go on a pretty dark journey, so I asked Tony is he’d mind if I popped him out of the tale and into a little Outer Limits-style classic horror story. It all kind of wove together with my memories of going to the west coast of Canada, and how much it seems like the border between the overworld and the underworld in Irish myth.

Oh, and I’ve also been reading a lot of Manga, too, lol.

2. What draws you to the Hallowe’en season?

It’s always been a very festive time for me. Growing up in London, it wasn’t actually Hallowe’en, but it was pagan style bonfires and all the old myths and beliefs, which usually lie dormant, were just suddenly back as though they had never left. Stories about the otherworld, about the spirits walking abroad, stories about loved ones coming back. Redemption across insurmountable odds, and the magic that comes with the dark time of the year.

3. Tell us about what would make the best Hallowe’en party ever.

You’d need a bonfire, for certain! Good music, not popular stuff, but mood music. Keep the costumes to a fantastic or archetypal nature, none of the flavors of the month. Lots of stout and cider. Would have to be able to go outside, in a natural space. And, of course, some spontaneous spectral activities.

4. Who has inspired you to not just write, but to keep writing?

I first started writing as a way to reduce stress from my job at the NHS. I was a paramedic and a supervisor of a station in London- not a fun job. Journals, then poems, then strange stuff started coming out of me, and a friend of mine, Pearl, knew Tony from the GAF Universe website. So I got into that, and couldn’t stop writing and working on it.

I’d have to say that Tony and Virginia, and also Will Norton, have been an exemplary model for making writing not just an activity, but a part of one’s life. The ease with which they accept whatever-old-thing you’ve been pounding out, be it a poem, a story fragment or what have you, makes it easy to silence the inner critic. Their communal worlds like the GAF Universe and The Program at Green Hill fire the imagination, and they allow you to jump on in and add your own inspiration, which helps if a free-formed idea just isn’t available. Then they take that idea and through some mystic process- bam! it’s incorporated into the whole. Will’s energy and sheer cock-eyed imagination is an inspiration, because the stuff he writes is just crazy brilliant. It makes you start thinking outside whatever bounds you’ve been placed inside.

5. Where can people find your work and more about you as an author?

People can find it through StarkLight Press, www.starklightpress.com and online at the GAF Mainframe site www.gafmainframe.com [Editor’s Note: The works are taken down until servers come back up following Hurricane Harvey, and should be available in four or five weeks]

There was also an autobiographical piece that did rather well for itself back in the day, based on my work as a teacher turned taxi driver, thence to the NHS. I’m in talks currently to get the publishing rights transferred to StarkLight Press, and hopefully it will see a third printing in North America sometime in 2018.

The Irregulars Have Arrived

 

The Irregulars is now available!

This collaborative novel is the second such project by StarkLight Press. Featuring the talents of several international authors, The Irregulars traces the adventures of a group of eight children with supernatural abilities. Lost and homeless, these children find themselves hunted by a pharmaceutical CEO who wants them to add to her collection of gifted children…

This novel was written in segments, with each author given the responsibility of narrating one of the character’s perspectives. Authors include:

Virginia Carraway Stark

Tony Stark

Kaylee Kosakowski

Jason Pere

Alex Benitez

Kat Hutson

Leanne Caine

Alfie Elkins

Maude Welles

Look for the second installment of the adventures of The Irregulars, coming in 2018!

– Tony Stark,

President and CEO,

StarkLight Press.