Leanne Caine Chats with StarkLight Press

leanne-caine-author-photo

Recently, StarkLight Press sat down with Leanne Caine, long-time author and contributor, to chat with her about her story in our latest anthology StarkLight 5.

Leanne is author of a number of short stories and flash fiction, has contributed for the past four years to the StarkLight Press Poetry Marathon, and in addition has written for us in several collaborative novels, including our Tales From Space novels The Arkellan Treaty, Space Stranded.

Leanne is currently working on a memoir as well as contributing to the long-awaited sequel to The Irregulars, StarkLight Press’s first novel about the underground world of psychically-gifted homeless children in North America.

 

SLP: Tell us a little bit about yourself and what you’ve been up to in the past few years.

This is a hard question for me. I disappeared off the social media map and went back to ghost writing for awhile because I have been going through heavy waters.

The worst thing in the world happened to me, at least, the worst thing that I could imagine, my daughter’s bio dad put his head back into our life. After not being there for her for her entire life he showed up and destabilized everything and on top of it all called me an unfit mother. He used my writing to ‘prove’ it. Ouch.

I went back to ghosting and just about became a ghost myself in the process. It hasn’t been an easy time.
I never wanted that man in my life and I love my little girl, but that isn’t because she reminds me in any way of her sperm donor. I don’t mean I went to a sperm bank, I mean one of his little suckers got by my defences and gave me the only thing in my life I love other than writing.

Fortunately; my baby’s got a good head on her shoulders and sperm donor waited until she was old enough to make up her own mind.

That’s probably more personal than you meant about this question but that’s what I’ve been up to.

I’ve been stripped naked and shorn for all the world to see and nearly lost my baby, nearly lost my writing. I’m back and my daughter isn’t going anywhere.

SLP: Explain for our audience a little bit about the inspiration for your tale, and the themes that inform it.

My story is reaching back to the old stories about revenants and vampires. I was tired of the modern stories about vampires that seem to deviate further and further away from the original stories that our ancestors told about them.

A long time ago, we had a lot of reasons to fear corpses. We still have reasons to fear corpses, but now those reasons are more or less medically founded and we fear them because we don’t want to be contaminated. Even so, we’re also worried that the sheet will fall down, their eyes will fly open and we’ll be forced to fight with the body of the one that we loved.

It’s hard, if you’ve ever seen the body of a loved one, you might get it a bit. They go from being warm and loving to cold and, well, gone. Their eyes change and there’s this feeling of being alone, and yet there’s also the sense of being around a really creepy doll that it could become animated by anything at any point.

It’s armed with claws and teeth and the weight of a human body and it’s scary!

People, even now, often dream about their dead loved ones coming to the door and being asked to be let in. That’s where this story starts, a young wife lets her dead husband in and they make love… well, that’s the implication. It actually starts with the fruit of their intercourse, a demonic vampire baby that’s birth kills its young mother.

The baby’s a monster. There’s lots of signs that used to be well known as signs of vampire babies, this ones got several of them. The midwife thinks about killing the baby but she hasn’t been christianized enough to go running to the priest and start killing babies. Well, maybe in this case that’s the wrong thing, maybe not. It’s a story that’s caught on the cusp between the old ways and the new. There used to be old ways of dealing with vampire babies that would be at least as effective but the midwife’s hands are tied by just enough Christian influence for her to be rather impotent. The result and demon baby on a rampage.

You can read the rest to see how it turns out for everyone. The short answer is: not good.

SLP: What’s your preferred method for writing: computer/smartphone, typewriter, hand, voice transcription? Tell us the most unusual place you ever wrote down a tale- in the elevator at work, on horseback, in a crowded subway?

I really miss Aurora being a baby, it was awesome when she was teething and would scream and hit random key and delete my work. That had to be my favorite. *jk*

Seriously, it’s nice to have a little girl turning into a big girl, I can have some quiet time and it’s a luxury after being a single parent all these years. I went from being a kid at home to being a mommy and it was pretty hard. There’s a lake here and my favorite place to write is anywhere on the lake. I take my computer to the beach a lot and other times I use my friends’ boat or even houseboat for awhile if I don’t have to work. That’s the best, even if I’m limited to pen and paper and have to type it all up when I get home. There’s something about the peace and quiet of being removed from the ground and not being connected at all that makes writing more fluid than anywhere else.

I hate writing in the heat.

I hate writing at my parent’s house even though it has air conditioning and a pool because they’ve never stopped saying ‘I told you this would happen’ since I suddenly got real fat my last year in high school and then suddenly lost all the weight and had this crying baby…

SLP: Where do you like to go best to recharge your creative batteries?

Again, the water. I like to swim. Ironically, I also like to hike in the desert. There’s something about the extreme heat and the deprivation that I like. I don’t like to be sun burned so I go out covered up because I like being fair and have my gothic moments. I like to go skiing and snowboarding in the winter, there’s something about it that’s similar to swimming.

Otherwise, I guess I like to go out and dance my brains out on the dance floor and act like I’m a lot stupider than I am for a portion of the night and blow off some steam that way.

SLP:What, in your opinion is author kryptonite? (antithetical to the creative writing process)

Dealing with family problems. Those are awful. Feeling overwhelmed and having no privacy or quiet time. That sucks all kinds of balls. Feeling like you’re losing what matters most to you. Being attacked for what you’ve already written.

 

SLP: What are your three favorite mainstream books, and what are your three favorite indie/independently published works?

This question is hard and is responsible for this being late. I’ll tell the truth. I’ve been re-reading group anthologies that I’ve been in in StarkLight and getting ready for next projects. I haven’t had a lot of time for other reading. I’ve been reading the entire GAF Mainframe and all the books I can get my hands on. A lot of the other authors have been writing stuff on the side for The Irregulars and I’ve been sinking my greedy little hooks into that too.

I spent too long on this question, I wanted to make something sound super profound and make me sound deep, but no, oh, and also some manga that likely few have heard of but is absolutely silly and serves no earthly purpose.

SLP: What is the last movie you saw? Give our authors a brief review.

The last movie I saw was a Chucky binge. I don’t think I need to give a review. Doll comes to life, doll kills everyone. Usually, some poor kid gets blamed for being a little psycho. Awww, poor traumatized kids! Watch their family get hacked to pieces and then they get called psychos. Next movie comes along and they’re in a psychiatric hospital, just about to leave and then some dumbass psychiatrist decides that before they leave they need to face their fear and they give the guy a Chucky doll. Wow. Jerk!

It’s a funny horror series if you’re into that sort of thing (which I am) and I love the one where Chucky gets a girlfriend. I can’t recall the name of the actress, but man, she is an awesome actress. She did some stuff with John Waters but mostly does voice acting because she has an amazing voice. She’s a bit buxom and I think that’s why she didn’t do more acting acting, I thought she was pretty hot (but not as a doll, terrifying as a doll).

Anyway, horror binges are awesome and they’re also good things to watch when you’re working on a scary story for ambience.

SLP:  What are your next big projects, so that our audience can keep an eye out for them.

I’m working on the sequel to The Irregulars from StarkLight Press. I’m hoping to work more with the character, Jet, that I’m writing. I love this series so much, it’s one of the best things I’ve ever written and I love working with the other writers on it. When you get the right people working with a project it just ROCKS.

Thanks for taking the time to fill out our StarkLight Volume 5 Questionnaire!

Alfie Elkins Returns!

venezuela1.jpeg

Back from what was recently a tropical paradise and now is being scouted as a possible location for the shooting of “World War Three”, Alfie Elkins shares with StarkLight Press a little about his story, based on his time in Venezuela, his past and his difficulties in getting binders.

1. Tell us a little bit about yourself and what you’ve been up to in the past few years.

I started out as a bank clerk in London, then took a teaching degree and taught in public school for a number of years. I then went (perhaps stupidly) to a first aid course so I could help out on excursion trips, and got hooked on medicine. I then became a paramedical specialist with the NHS, and a few years ago, I moved to Venezuela to help them to revamp their emergent care services.

I’ve spent the past two years in Venezuela helping overhaul a public health paramedic corps that is now in shambles due to the current unrest. So, time well spent. Hopefully some of the procedural changes and policies we’ve developed are still preserved and the improved work culture will restore itself once the turmoil is through. Then it would be a good use of time.

Currently, I’m in Manitoba, resting with some mates of mine and keeping one eye on the river levels, because flooding is the last thing I need to round out this long, strange trip of mine!

2. Explain for our audience a little bit about the inspiration for your tale, and the themes that inform it.

Venezuela was a trippy time, and a peculiar place to me. I had no idea how riddled with folk voodoo, magic and superstitiousness it would be- so much so, that it bumped up against my work life as a paramedic. People would shake sticks with little things on them at me. They would prevent me from saving someone until an offering had been completely burned. They would leave little gifts outside the paramedic building (cigarettes, whisky, weed, other things, food (areppas, hallaca, mondongo bowls etc) out for us. There were hundreds, perhaps thousands of little favelaways and dark nooks and corners in Caracas alone, let alone in the other areas of the cities in Venezuela.

I had been helping Tony and Virginia write on the Tales from Space Continuing Stories (I love that series! and working on it is a true pleasure) when I had a truly bizarre encounter with another Brit. It was eerily similar to the sort of thing that we have been injecting into the ultimately doomed GAGA universe, (I don’t want to give too much away here, but let it be known that ‘this sort of thing’ we are writing on gives the GAGA new hope, and not in a Star Trek IV kind of way, but a holy sh*t, this opens up everything! kind of way). I started writing a journal entry about it (as I had been continuing to keep a kind of regular accounting of the time I’d been having, and it turned into my story, Nueve Dedos, Pellirojo.

The whole time was very surreal when the encounter happened, and the writing time after- one of those weird times when you think, is this the Neverending Story? Am I  writing reality? Don’t know, but I’m very grateful to StarkLight Press for keeping so much of the espanol intact, as it cannot be truly separated from the story.

3. What’s your preferred method for writing: computer/smartphone, typewriter, hand, voice transcription? Tell us the most unusual place you ever wrote down a tale- in the elevator at work, on horseback, in a crowded subway?

The past few years, whatever is handy. Since I joined the NHS, I’ve been writing story ideas and things on abdominal pad wrappers, tissue boxes or what-have-you. In Venezuela, I had a notebook, and was able to use the smartphone, but with increasing irregularity in my cloud access, I moved more to hand writing and note-taking again. Which was refreshing. I can thoroughly recommend it- I miss handwriting!

4. Where do you like to go best to recharge your creative batteries?

Somewhere quiet, and ideally a little out-of-the-way. Which is how I met el estrano in my story. Ideally, I’m a night hawk, so I like it after dark, places that were bustling, now quiet. Soaking up the residual hustly bustly in the nighttime seems to help inspire and organize my thoughts. Or give me some!

5. What, in your opinion is author kryptonite? (antithetical to the creative writing process)

Overthinking, and overcomparison. Definitely. Also, I bloody hate autocorrect and that new Google finish function. It’s great for driving the flow right off!

6. What are your three favorite mainstream books, and what are your three favorite indie/independently published works?

I like Robert Ludlum, and Agatha Christie, and Kyril Bonfiglioli. Any of them (I know I had to pick books, but I’m going to be broadly incorrect!) I have to say that indie works are great, and I love to peruse them whenever possible, but the Tales from Space universe is just phenomenally detailed and well-plotted, with characters and scope that stick in your head, no matter how preoccupying your day has been, which keeps me coming back to the series and also pestering the core group of authors for more.

7. What is the last movie you saw? Give our authors a brief review.

Speaking of Bonfiglioli, I finally got to watch Mortdecai, which was, wow, not one of Depp’s better performances. I think it was cinematographically a good representation of the books, with the exception of the over-CGI’d location cards (but hey, Johnny Depp had to earn his money by badly Britishly narrating something, right? It was a book, after all).

I thought that Ewan McGregor just nailed Inspector Martland, however, and the scenes involving the Inspector were just delightfully paced and worked! It was like watching a fan edit of the movie of Bonfiglioli’s work, with the real movie being about the case, and then all these strange fan-acted scenes injected in between of someone in a bathrobe mincing about, pretending to be Charlie Mortdecai.

I would watch a series based on Martland and the international MI-6 angle, by the way, Netflix.

8. What are your next big projects, so that our audience can keep an eye out for them.

I’m working on a memoir of my time in Central America, which blends what I’ve researched and seen first hand of the local culture with my own time there. Untitled yet, but I hope it’ll be ready for full-color publication in 2020.

Also, a few short stories for the next Tales from Space anthology, as well as some independent stories from other worlds in which I’ve written a few times before.

Most excitingly, I think, I’m partaking in The Irregulars, Part 2, which is set to be a really rollicking ride through the world of international espionage, psychic operations of governments and- believe it or not- cybersecurity, biometrics and Celtic culture! Can’t say much on that, but I’m writing with Van Fleming, Will Norton (an old mate of mine), Leanne Caine, Krista Michelle, Tony Stark and Virginia Carraway Stark as well! It’s going to be a real spot of fun, that one!

 

Thanks for taking the time to respond to our questions, Alfie! You can find his story, “Nueuve Dedos, Pellirojo”, in StarkLight Volume 5.

Time for a Little Ordo ab Chao-

shelley quote1

With the tumultuous climate in the world, it occurs to us that there’s no time better to announce a poetry anthology!

Since April is approaching, and spring along with it, we hope to compile a poetry anthology in the interval, and provide some beauty, liberty and elegance of phrase to the melee.

We are including long and short poetic works on any subject, provided the content is of aPG-13 sort of calibre, and free from choleric discourse, please.

Meter is open-ended; we encourage exploration into a variety of poetic styles beyond the standard, 21st Century styles.

We have sixteen contributors’ spots available, with up to three contributions each.

Those poets selected for inclusion in our poetry anthology will be promoted through StarkLight Press and its social media and print media networks. Interviews with our poets will be included as part of our online promotion of this work.

 

To that end, here are some links to some great lists of poetic styles:

poetic-forms1.png

poetsgarret1

 

Don’t break your brain with these entrancing poetic styles- heart before style any day!

Please send queries or submissions to starklightdesk@gmail.com, along with a brief bio and/or links to your websites.

Our submission call ends May 15, 2019, or when our sixteen slots are filled. However, poetic submissions will also be considered for our subsequent anthologies, as well as slots in our StarkLight Short Story series.

 

Tony Stark,

Publisher and CEO,

StarkLight Press.

 

 

We’re Back, Baby!

bender applause

It’s been a while, folks, but StarkLight Press is back!

Or rather, we are finally getting around to updating all of you lovely, loyal fans with all the amazing books, poems, multimedia work and more our happy little elves at StarkLight have been working on this past evolution.

… starting with our latest book, a Tales from Space series novel involving some of your favorite characters, including by popular demand, Verily Wrought in kid form and that precocious scamp of an android, Nick Goodfrey.

Check in later this week for the details on our latest title, The Androsian Question, along with updated editions of An Incident in El Noor, Dalton’s Daughter  and its sequel Galaxy’s Daughter.

Poetry anthology information to follow for your favorite authors, Virginia Stark!

Check again soon for information on our  upcoming short story contest, and poetry contest as well!

It’s just what the Galaxy wanted for a holiday gift!

– Tony Stark,

Publisher and CEO,

StarkLight Press.

 

Virginia Carraway Stark Talks Hallowe’en

virginia1

1. Tell us a bit about your inspiration for your tale.

So many people are ‘into’ magic and it’s always at Halloween that I ‘discover’ that I have several dozen friends that are witches that I had no idea about the rest of the year. I have no objection to the practice of Wicca or to witches, but what I do object to is dabblers. This story was more or less inspired by the idea of dabbling gone completely overboard. Dee is that crazy girl who doesn’t know what she’s doing and takes things way too far. I pretty much climbed into that girl’s head and ran with the idea.

2. What draws you to the Hallowe’en season?

Costumes are one of my favorite parts of Halloween. I don’t understand why we can’t go around in costume every day of the year if we want to. No one has ever been able to give me a good answer to that question and I insist that if we were socially uninhibited enough to wear costumes whenever and wherever we wanted that most of our social ills would fade in the freedom to express ourselves in the multiplicity of ways. People have these expectations of sameness from the people they work with and major changes are met with fear and trepidation. Isn’t that odd?

Imagine if we could dress how we feel, or even dress the opposite of how we feel. Feeling glum? Get the glitter and the glam out! Or wear your emo on the outside for the day and dress goth if you feel sad. Feeling happy? Why not wear that unicorn horn? Put in your rainbow hair extensions and strut it! Oh yeah, and there’s candy. Can’t forget candy.

I like the autumn weather, the leaves, the moodiness. The feel of mist and a little bit of eerie creepiness… but not too much. There’s a poignant feel as the year lets go with a sigh and the ground freezes, Halloween spells the last of sunlight warming my shoulders and the start of snowflakes and warm sweaters. Pumpkins and apple flavored everything for the rest of the year until fruits start are harvested again and on and on the wheel of the year turns with cinnamon to warm my veins and hot chocolate to warm my hands. It’s quite the tradeoff for losing the sun. I’m glad I don’t have to make the choice, fortunately it’s been made for me and Halloween makes me not responsible for what’s to follow.

3. Tell us about what would make the best Hallowe’en party ever.

I have to think back to the past to parties of the past and what I liked best for this because I’m not feeling in a party place right now. The funny thing is, the most fun I ever had at a Halloween party was probably one of the ones I had as a Girl Guide! I’ve been to some crazy parties since then and experienced some wild fun, but there’s something so classic about bobbing for apples, having mask put over your eyes (These were her BRAINS… And these were her EYES cue peeled grapes and cold spaghetti).

There’s something so rewarding in the pretend fear and the sheer innocence of those little games that puts those nostalgic parties at the top of my list. Maybe that is the most boring answer that anyone has ever given for one of these, but all the other parties I’ve gone to for Halloween, no matter how much effort has gone into them, no matter how sophisticated and realistic they are, no matter how good the cocktails, has something that is somehow cheap about it compared to the joy of those parties. Besides, is there anything really more scary than carving jack-o-lanterns in a group and having pumpkin innards fight? Try getting that out of your hair! Truly the things nightmares are made of!

4. Who has inspired you to not just write, but to keep writing?

More than anyone else I’d have to say my husband and my mother. It seems like there reaches a certain point in your writing career where there isn’t anything that ‘enough’ to tell you how you’re doing as a writer. I’ve won awards, I started off making a substantial amount of money on screenplays with names in them that most people would recognize. That’s something that most writers don’t get, let alone start with. It makes it hard, especially when there are people who just sit there like turds (ICBC, yeah, I see you!) saying that you aren’t a writer, or other people who get so jealous that they drive you out of the arts community rather than admit that you’ve had a few wins (Dawson Creek, tipping my hat to the artists there).

Things get complicated.

Friends act weird when you get some wins under your belt that aren’t going to make you world famous but are enviable nevertheless.

There are the people in writing who say absolutely nothing about what you’re doing and ignore your writing as though you’ve done something gauche like farting in front of the queen mother. There are friends who make snide remarks about how far you haven’t come and ignore everything you have done.

There comes a time when you look around yourself and realize that you have fewer friends than you thought you had because of your success and more people wishing you ill because of them.

It’s heartrending to any artist to be torn down and that’s why cruel people who don’t feel like they’re achieving their own goals in life do it: it’s easy money to kick an artist/writer etc when they’re down. We’re baring our hearts and souls on the page and making ourselves vulnerable. My mother wrote her whole life, she kept journals. Keeping a journal isn’t easy and keeping a truthful journal is even more hard. I can’t tell express to a non-writer how hard it is to turn off the inner critic except through analogy: imagine never once questioning the way you look in any outfit ever again… or naked. Do your thighs jiggle? Is your makeup okay? Suck in that gut… Nope, none of that. Let it all hang out. Cellulite flopping in the breeze, not a care in the world about whether or not looking down like that gives you a double chin… Do you get the idea? Could you ever do that?

Now imagine that isn’t your body, it’s your essence. It’s your soul. It’s your most secret thoughts. It’s thoughts that aren’t even yours but things that are, ‘what ifs’ that you wonder in the dark as you try to imagine why someone else did something. Let all that flab in your mind, all those bits jiggle around and let anyone who happens to pick up your writing make of it what they will. No one is ever going to really understand what you have to say on the page. Everyone is going to misjudge you. If you know the people reading what you wrote; it’s going to be an exponential number worse. Every little bit of guilt is going to tell them that any negative thing you put on the page is surely about them. Every character who is a villain is surely a thinly veiled version of them… they just know it! How they’ve caught you out!

While you go blithely writing your world, crafting your characters as you would a child there are people turning each tap on the keyboard into a diabolical scheme of paranoia against them. They try to dig into your psychology. They try to ‘figure you out’. They try to find you in the page.

You’re so vain, I bet you think this song is about you, don’t you?

That was my mom’s favorite song when she was alive. One of the last communications we had was a card where she congratulated me on my writing and told me how excited she was to see where my writing would take me. She wrote that she had never been able to write except when her soul ached, that was why she only wrote journals.

After her death, during the divorce from my father, at other pivotal moments in her life, her journals were plucked from her hands and used against her. After her death my family poured over each pen stroke and internalized every word that could be interpreted as harsh to cut their souls with. They hated her because of those journals. I only read a few of them, but the ones I did read made me love her so much more. I understood our differences and our sames so much better. I cried because she had never said the words on the page to me out loud and even if she had, I don’t know if I would have been in a place where I would have understood what she was saying to me. But she wrote. She wrote without an inner critic telling her that she was writing ugly things, or beautiful things, she wrote because her soul was screaming and now I understand her more than I ever did before.

I know that my writing has made me no end of enemies and will likely make me many more, but I also know that my writing has been there for people when they needed to hear the words I spoke. I know that I have helped people in my lifetime with my words and as my mother gave me the gift of understanding after her death to inspire me to keep writing, I understand what the ability to speak the words needed when I cannot physically be there to say them means to people. That is how my mother has encouraged me in life and death to keep writing.

My husband has had a much more intensive role to play in my writing life. He is the guardian of the very soul of my writing. When people are cruel I know that there is one person who will always be kind. He won’t lie to me, he’ll tell me the truth about my writing, but he will talk to me. He won’t seal up like a clam the way people do to writers when they feel withholding. People stop talking or acknowledging writing, or deliberately push buttons to try to stop up writing, as though every word I personally write is somehow an affront to them.

But Tony Stark isn’t like that. He’s there with me. He WANTS to hear the words I write. We share back and forth and through our symbiotic encouragement and enthusiasm he puts my hands gently back on the keys after they’ve been squished flat by the stomping brutality that is relentless as soon as those pages leave the drawer and are shared with the world. It’s a strange thing that writers are repaid with little or no money, cruel words as often as kind, and yet they write the words that need to be there for those people who need to hear them most. Like my mother. Even after her death more people hated and reviled her for her writing than ever thanked her for her courage, but her words changed the world for me. They gave me a mother where I had none, or at least, when I thought I had none.

These people who will be there for you and who understand the subtle rays of goodness that writers put into the world are few and far between and my husband is the strongest and most steadfast of all the people.

5. Where can people find your work and more about you as an author?

Google me. Seriously, I don’t mind, I kinda like it 😉
I’m all over the internet. You can find me on my author page www.virginiastark.wordpress.com

@tweetsbvc

On Facebook https://www.facebook.com/Virginiacarrawaystark/

www.starklightpress.com

www.gafmainframe.com

Amazon, and a variety of other blogs, radio guest spots, interviews as well as brick and mortar stores in Canada, Texas, New York, Iceland, Argentina and Australia.

Tony Stark Gets A Head in Life…

… couldn’t resist the dreadful pun! That’s what comes from tackling the concept of beheadings, oracles and Orphic tradition- all in one story. Read about how Tony came up with this fascinating tale of opportunistic resurrection here in his interview for Wild, Wicked and Sparkling.

VRELO CAVE   Vrelo Cave is located in the Canyon of Matka on the right bank of Treska River near the Macedonian capital of Skopje. Vrelo is a system of two caves, one above and one underneath the water, and a lake. Highlight of the top cave is a three meter high stalagmite, called the „Pine Cone”. The actual depth of the submerged cave has not yet been determined, it seems to lie well over 500 m, and therefore some consider Vrelo Cave to be Europe’s deepest underwater cave.

1. Tell us a bit about your inspiration for your tale.

I was thinking about the connection between beheading, resurrection and mystery schools of spiritual belief.  I found that there had been a lot of talk this year about decapitated, cognizant heads after Alien:Covenant came out, what with double Michael Fassbender and all; that apocrypha seems to me to be very closely based in not just Sumerian myth, but the early Orphic tradition- love lost through personal responsibility, re-inventing of the soul in new forms- as well.  The idea of the disembodied character-inna-head being given new life made me start thinking about other notable cases throughout mythology and history. 

 Mimir’s head was given the ability to prophesy and assisted the gods for ages after it was removed from his body. Orpheus continued to give oracular messages after the Maenads ripped his head from his shoulders. The conceit that the head contains the seat of the soul, and moreover, once it has been separated from the material body, that it has supernatural powers, is an interesting one. Throughout history, Marie Antoinette is one of the most notable decapitation victims, and so I began thinking, who would be the one to give her head new life? Orpheus seemed a logical conclusion; his Orphic teachings are primal reincarnation. [I don’t know much about what Mimir believed in 😉 but he seemed to be more of a personal advisor to Wodin than an independent agent like Orpheus. ] The way in which Orpheus maintains that one travels intact across lifetimes made me think about him hearing about Marie’s death and 1815 re-interment. I started thinking, hey, now’s my chance. Orpheus’s head being taken to Macedonia linked up with other  personal apocrypha about the region and seemed a natural fit. 

2. What draws you to the Hallowe’en season?

I think it’s the energy in the season that reminds you that, even though there is death all around, from the leaves in the trees to the crops to the apparent deaths of animals that migrate or hibernate, energy moves to the spirit realm. It is still there, changed, eldritch perhaps, but all around. So, I’d have to say, the Second Law of Thermodynamics.

3. Tell us about what would make the best Hallowe’en party ever.

Costume party, of course. Starting off with giving the kids their candy, so that all the party goers get into the Hallowe’en spirit. Then a nice house party, with the backyard set up for whatever activities the weather is amenable for (because northern Canada Hallowe’en often involves snow!) and then not too much loud music or too much heavy drinking. Lots of good costumes and fun.

4. Who has inspired you to not just write, but to keep writing?

I draw great inspiration from Tolkien, and C.S. Lewis, and Shakespeare. Tolkien for his truth, Lewis for his insight, Shakespeare for his volume and quality, gathering things from disparate sources and making a cohesive whole that spoke to us all. He was like if Frank Lloyd Wright and a magpie had a baby that could write.

Virginia Stark has helped give me inspiration to keep writing, and to keep on to the ends of things and then beyond. I would say that our StarkLight Press followers, and especially our GAF Universe followers, help to always ask the right questions that require another story, another novel, to flesh out. Discovering the truth of the world is its own reward, but having an interested, engaged, intelligent audience is a beautiful and happy bonus.

5. Where can people find your work and more about you as an author?

StarkLight Press now has almost my entire body of work, which I am very happy about. The only other place to find my stories is with a totally awesome press out of America, Writerpunk Press. They’re the only ones I’ll work with other than SLP, because they have great respect for what you’re trying to do creatively and they have a very high quality, high energy group of authors and workers. They put out a beautiful product, also.

You can shortly find the whole body of work from the GAF Mainframe in our upcoming Encyclopaedia Galactica, featuring entries and magazine excerpts that fill the blanks around our Galactic Armed Forces Universe stories. It’s been a blast to work on, compiling pictures from fans, computer artwork and my own pieces for illustrations. Our latest novels for the GAF Universe are coming out this winter and spring of 2018. We’ve phased out the public access to the bulk of the work on the site and will be bringing it back with secure membership and login later this month- it’s a big compliment to have your work swiped and referenced and talked about on the Internet, (especially when people link to your stories and interviews, referencing them as fact!) but our authors and fans have put so much work in that it deserves a little security.

https://punkwriters.com

www.starklightpress.com

www.gafmainframe.com

 

Alaska Highway Book Update!

Thanks to all those who recently ordered a copy of The Alaska Highway: 75th Anniversary Edition, making this our fourth run of the book!

Books will be delivered to StarkLight Press warehouse by July 15th, and will be available for pickup after 4 pm that day. For our customers in North America, your books will arrive by post by July 27th.

For international customers, orders will be arriving by August 15th.

 

Thanks again to everyone who has helped make the 75th Anniversary of the Alaska Highway into such a huge success!

 

 

Tony Stark,

Publisher and CEO,

StarkLight Press.